Tekkon Kinkreet

Review of: Tekkon Kinkreet

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Rating:
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On 04.01.2021
Last modified:04.01.2021

Summary:

Elliot, ich seh meldet sich das sterreichische Regieduo Veronika Franz und Severin Fiala mit seinem englischsprachigen Debt The Lodge zurck und erforscht ein weiteres Mal den zwischenmenschlichen Horror. Die Verfahren htten begonnen, nun widmet sich Kondo in den Folgen dieser Serie diversen Aufrumwilligen und hilft ihren beim Entrmpeln.

Tekkon Kinkreet

Finden Sie Top-Angebote für Tekkon Kinkreet (DVD, ) bei eBay. TEKKONKINKREET (DVD, ) - BLACK AND WHITE MANGA ANIME ANIPLEX. Tekkon Kinkreet. Master Edition. von. Taiyô Matsumoto. Erscheinungsdatum: 16x24, HC, sw, Seiten. Genre: Science-Fiction. Inhalt. Alle Infos, News, Bewertungen, Kommentare zur Blu-ray - Tekkonkinkreet (​Original Film-Titel der Blu-ray: Tekkon Kinkreet) - hier bei dirtyoldlondon.com

Tekkonkinkreet Blu-ray

Last night i watched " Tekkon Kinkreet ". an anime film, directed by Michael Arias, adapted from a manga series "Black and White" by Taiyō Matsumoto. im not. Black und White sind zwei klein Banausen, die ohne Eltern leben und tagein tagaus auf der Suche nach Geld durch die Straßen ziehen. Sie sind gerissen und hinterhältig, aber eigentlich doch bloß zwei Jungen, die gezwungen sind, in einer harten. Im Manga „Tekkon Kinkreet“ verteidigen über Stadtdächern thronende Könige der Straße ihren Lebensraum – und vermitteln Wissenswertes.

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TEKKONKINKREET: Black & White Orphaned on the mean streets of Treasure Town, lost boys Black and White must mug, steal and fight to survive. Around them moves a world of corruption and loneliness, small-time crooks and neurotic police officers, and a band of sadistic yakuza who have plans for their once-fair city. The story takes place in the fictional city of Takaramachi (Treasure Town) and centers on a pair of orphaned street kids – the tough, canny Kuro (Black) and the childish, innocent Shiro (White), together known as the Cats – as they deal with yakuza attempting to take over Treasure Town. TEKKON KINKREET is a dynamic tale of brotherhood that addresses the faults of present day society, true love lost, and the kindness of the human heart. © Taiyo Matsumoto/Shogakukan, Aniplex. TEKKONKINKREET: Black & White - Kindle edition by Matsumoto, Taiyo, Matsumoto, Taiyo, Elisabeth Kawasaki, Annette Roman, Jason Thompson, Lillian Olsen. Download it once and read it on your Kindle device, PC, phones or tablets. Tekkon Kinkreet is a richly engaging graphic narrative, its visual language referencing French comics but with the horizontal, angled paneling of more traditional Japanese Manga. Though it's about two scrappy kids, this is most definitely NOT a comic book for children: it's full of violence and references to the seedy underworld of the city (gangsters, strip clubs, etc.). Black und White sind zwei klein Banausen, die ohne Eltern leben und tagein tagaus auf der Suche nach Geld durch die Straßen ziehen. Sie sind gerissen und hinterhältig, aber eigentlich doch bloß zwei Jungen, die gezwungen sind, in einer harten. Tekkon Kinkreet (jap. 鉄コン筋クリート, Tekkon Kinkurīto, Wortspiel mit tekkin concrete (鉄筋コンクリート, tekkin konkurīto), dt. „Stahlbeton“) ist ein Anime-Film​. dirtyoldlondon.com - Kaufen Sie Tekkonkinkreet günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. TEKKON KINKREET (CURR PTG) (C: ): Black & White (Black And White, Band 1) | Matsumoto, Taiyo, Matsumoto, Taiyo | ISBN: Original Title. User Reviews. While this book isn't as bloody as say, Lone Wolf and Cub, it's still kind of disturbing to see Black smashing in the heads of Yakuza, grinning like a demon and spitting out broken teeth. Japan Academy Film Prize for Animation of the Year. While the manga follows multiple Titan Games threads, the film Crystal Meth Serie consists Kristine Debell most plots shown in the manga. Which is definitely unfortunate, but, again, the only thing I can do is keep reading and re-reading this until I love it more. Preview — Netflix Tidelands Kinkreet by Taiyo Matsumoto. The book starts out as two Syrien Krig against the universe, and ends as a touching story about achieving balance and remaining true to yourself while accepting changes in the world around you. Retrieved January 8, No trivia or quizzes yet. While the movie fixed that problem while jumping around enough to match the manga it was After watching the movie, I picked up the manga with high hopes. Archived from Stadt In Japan 94 original on September 30,

You will cry when White is hurt and laugh when a tree sprouts in the concrete jungle. You will cringe when Black loses his mind and relax when White is protected by the police.

And if you're like me you will love this book for what it is: a wonderful story about true friendship. Mar 26, Gabriel rated it really liked it.

After watching the movie, I picked up the manga with high hopes. Most of those hopes were shattered in the first few pages.

The storytelling feels disjointed purposefully so, as the different threads of the story are all told at the same time, weaving the different plots through two or three panels on one page , leaving me with that much more work to piece together all the characters and their motivations.

While the movie fixed that problem while jumping around enough to match the manga it was After watching the movie, I picked up the manga with high hopes.

While the movie fixed that problem while jumping around enough to match the manga it was based off of , the movie left out many interesting and important parts that the manga filled in.

Parts like how ruthless White is from the start; how Black gets the wound from the Minotaur; what was happening while White was in custody of the police and how far down Black goes into his madness spiral.

All of these things are hinted at in the movie, but in the manga they are fully developed and make much more sense. So in the end, the first half of the manga was told in a much better fashion in the movie, but the second half of the movie was done in a much more fully realized way in the manga.

I do recommend reading this if you truly enjoyed the movie since it makes the themes of the movie clearer and also helped me better appreciate the details of the movie, since many of them were taken straight from the manga.

This is one of those books, like Fight Club where the movie and the book are great complements to each other, each one being so close to the other that it is hard to tell which interpretation print or film is best suited to the story.

Apr 29, Machteld rated it it was amazing Shelves: owned-comics , manga. It took me a few pages, but I absolutely loved it.

Violent, but heartbreaking. Aug 28, Mayank Agarwal rated it it was ok Shelves: manga. I was expecting a lot from it being the most popular of Taiyo Mastsumoto's work but disappointed.

As with all his works, he experiments with Art. It's unique and ugly. Not to my liking. By the time I took to it, the manga was over.

The story about the two kids having polar personalities living in the crime-filled town seems meaningless in the beginning but as you start Volume 3 it starts making sense.

As soon as I really started to enjoy the writing in Volume 3 things got confusing for me with the identity of the Minotaur. Feb 20, Trevor rated it it was amazing Shelves: manga.

Matsumoto Taiyo's work enacts a beguiling poetic of violence. This manga, initially serialized in Shogakukan's Big Comic Spirits, has never before been printed in one volume and we are lucky to finally see it.

Kuro and Shiro Japanese for Black and White veer from roof to roof and from surreal, bloody encounters to those strangely endearing; it's best though when these collide into something new and powerful.

Frenetic and breath-taking, Tekkon Kinkreet is what proved to me that manga can be som Matsumoto Taiyo's work enacts a beguiling poetic of violence.

Frenetic and breath-taking, Tekkon Kinkreet is what proved to me that manga can be something far more than big eyes and giant robots, and graphically demonstrates the very best that manga has to offer.

Jan 14, Marissa rated it really liked it Shelves: comix. I think it's weird I had never heard of this before I found it at the comic book store, when it's been around long enough and popular enough for there to actually be a movie made of it, which I'd also never heard of before.

I am either boring and old or seriously not up on my manga at all these days. Anyway, the real star here has got to be the totally unique, dynamic art style which reminds me of the energy of the art in the original Tank Girl filtered through a cleaner, Japanese lens.

The stor I think it's weird I had never heard of this before I found it at the comic book store, when it's been around long enough and popular enough for there to actually be a movie made of it, which I'd also never heard of before.

The story is no slouch either, full of colorful characters and with a plot that has a decidedly cinematic quality to it. Overall I really enjoyed it and can't wait to see the movie.

Jan 21, Nnedi rated it it was amazing. I love the style of art. The violence is disturbing and simultaneously unrealistic and realistic.

Finally read this unique artwork, years after falling in love with the animated movie. I thought maybe the lack of ambient music and vivid colors would be very different from the atmosphere of the movie, but I was wrong, this is perfect in its original version.

The drawings are fascinating, mastered at an impressive level, and this author really has talent to instill life and emotions to his characters.

It is as dark and tortured and realistic while dream-like than his other book I read, but here Finally read this unique artwork, years after falling in love with the animated movie.

It is as dark and tortured and realistic while dream-like than his other book I read, but here the kids bring with them some innocence that transcends everything else.

I deeply loved this story. Apr 22, Alienne rated it it was amazing Shelves: favorites , manga. Tekkon is a great combination of interesting story and terrific characters.

Taiyo Matsumoto immerses you in the world of Treasure Town, and the book is unexpectedly good at getting emotional responses out of you.

I couldn't put this one down. Jan 07, Peter rated it it was amazing Shelves: comics. Reading this was a learning experience. A truly visionary work.

His only purpose is to protect White. May 03, Brandon rated it it was amazing Shelves: sublime , comfy , bildungsroman , mango-comix , slice-of-life , bizarro , avant-garde , brutality.

Legitimately hard to read when I'm so used to translated manga in its proper direction. Interestingly, the flow of the paneling isn't exactly ruined, but there are many parts that make it hard to tell whether the book was completely "flipped" or otherwise did "Boys will be boys.

Interestingly, the flow of the paneling isn't exactly ruined, but there are many parts that make it hard to tell whether the book was completely "flipped" or otherwise did the cut-rearrange-paste thing to simulate original panel order.

I guess I'll have to flip through a Japanese copy, but I don't feel like doing so, and I already own this American left-to-right version, so fuck it.

I view Michael Arias's anime film as one of the greatest works in the anime medium tied with Satoshi Kon's Paprika from the same year, actually.

I don't know why, but it took a long while to get to this manga. The film came out in , I probably didn't see it until , I bought the DVD in , watched it a few more times since, and watched Yuasa's Ping Pong show adapted from another Matsumoto manga in , whereupon I realized retroactively making me feel stupid that Tekkonkinkreet was by the same guy behind Ping Pong, having felt something "familiar" about the art direction of Yuasa's anime, distinct as it was from his previous work.

Anyway, I watched Ping Pong because I was able to see a Yuasa film in theaters Night Is Short, Walk On Girl , and the 20th anniversary of Perfect Blue a week or so later, rewatching Paprika when I got home from Perfect Blue, and so I had this idea to revisit this other masterpiece, Arias's film, from the intersection between the glory of Ping Pong and Paprika.

And so I bought the manga, and just had it sitting on my floor somewhere in a stack of other shit for like eight months Those familiar with the Ping Pong anime should except "rough"-looking artwork.

Those familiar with the Tekkonkinkreet film may be somewhat surprised to see the differences between Matsumoto's original and Arias's adaptation; namely, the linework is much thinner and cleaner in the film, and the colors well, plainly, there -is- color are more vibrant than the "sketch"-y black-and-white of the manga, perhaps "apt" because of the names of our heroes.

This is the thing: Taiyou Matsumoto's art is kinda-sorta "bad. Attack on Titan, ditto. Personally, I love it because it feels more "genuine," "sincere," what-have-you.

One's ability to not only respect Matsumoto's art, but to love and "vibe with" it are key to enjoying this manga on a level deeper than just appreciation for its narrative an idea that may easily be dismissed by choosing the film instead.

It's been a few years since I've last seen the film I plan to re-watch it soon, now that I've finally read the manga , so I can't quite recall every detail from the plot, and thus cannot tell if there is really anything here that is not in the adaptation.

My guess would be that Arias and company did well to fit everything from here into there. As a result, the question would be whether one prefers the manga or the film, which would ultimately fall to the distinction between Matsumoto's "direction" versus that of Arias.

I like the film largely because it is kinda-sorta nostalgic for me by now, on top of being a great work of cinema-level animation.

The manga is likewise a great manga, but most emotional beats in the text seem to actually hit me through the lens of my recollection of the film-adaptation counterparts, and it is generally difficult for me to divorce this manga experience from my several engagements with the film.

I think I'd have to re-read this over and over, equaling if not surpassing my film-view count, in order to further appreciate this manga, essentially bludgeoning myself with it until I become too intimately entangled with the manga to ever be able to say I do not love it this is generally how I act with music, for example, keeping CDs in my car for months at a time to kinda-sorta "force" myself to like the albums better.

When I experience new Art, my primary aim is to find something "unique" about the work, something that gives a reason for its existence.

For Arias's film, it would be the idiosyncratic artstyle of Matsumoto's manga as filtered into the colorful world of a big-budget anime film, with animation and direction seemingly "better" than most other anime as if the quality is tied to the director's Western origin, being an Outsider from the common anime industry, and thus not "used to" the corner-cutting common to many anime.

And of course you have the soundtrack by Plaid. For Matsumoto's original manga, the difference would be its greatness -as a manga-, which I would say is largely indebted to its "alternative" feel, leaning perhaps more to a Jhonen Vasquez look than Daniel Clowes, actually kinda really resembling Charles Burns's Black Hole a little bit.

Historically, "manga" was a cartoonish artform see: Astro Boy, Kimba , which spun-off the more "adult" form of "gekiga" Black Jack, Buddha, to continue the Tezuka examples.

Over time, "manga" started seeing more quasi-realistic proportions, and you had guys like Go Nagai blending "manga" with "gekiga" to the point that "gekiga" stopped being "a thing" and "manga" just evolved to not be so kiddy-looking.

If HxH and Girls' Last Tour are some of my favorite manga because their artists can draw real beauty under the thin veil of wonky art, the same must be said of Matsumoto as well, only with the aforementioned "catch" that I'm just too used to Arias's film to give ultimate credit to the source material here.

Which is definitely unfortunate, but, again, the only thing I can do is keep reading and re-reading this until I love it more. So, anyway, to get into the "meat" of the manga, this is largely the story of Black's will, and how his desire to protect White may cause White's own life to go to shit.

There is an assumption that Black and White are literal fraternal brothers, but their past remains largely untouched, aside from the basic idea that they live together in an abandoned car, and they know The Rat and the cop guy.

Regardless of blood relation, Black feels responsible for White's life. Unfortunately for White and we see this through the cops' eyes , Black leads a life of violence, jumping from rooftops to mug people, living on his earnings through his brutality.

White is involved in the violence insofar as he follows Black, and must therefore beat people up lest he be beat up himself.

Black makes a name for himself, people see White with Black, people seek out White to use him as a hostage to get to Black.

And of course we catch wind of "The Minotaur," a psychic manifestation of Black's bloodlust, an imaginary entity that seems to take over Black's body when pushed to the brink of consciousness, an avatar of Black's drive to protect White which ironically believes itself to be a god of violence that threatens to overwrite the love for White in Black's mind, quelled as The Minotaur eventually is by Black's brotherly love.

I think between this and like Madoka Magica: Rebellion I just have a thing for Japanese media that shows an Individual's egoistic focus transforming itself into a quasi-"evil" body of its own, and then writing about it like these extreme cases of libertarian egoism are "good things" despite their parallels to like Satan and shit.

And I as do more-or-less believe Prometheus and Lucifer alike are heroic icons of Selfhood, so too do I respect The Minotaur that haunts Black.

The caveat, I guess, would be that Black actually manages to "control" The Minotaur through his more-selfless love of White, kinda-sorta absorbing The Minotaur back into himself, taming its power, not unlike e.

Black Hanekawa or the Tyrannical Tiger in NISIOISIN's Monogatari Series light novels, being another example of like reappropriating one's angst-monster as a battery or something.

And, anyway, it ends with something like a happy ending, which is good because I was sitting over here not able to remember if White died and I'm reading this like "oh fuck" because The Minotaur is beating the shit out of everyone and I'm struggling to remember what it was exactly that made Black cool his jets.

Good shit. Dec 31, Rory Wilding rated it it was amazing. This largely comes down to being the first anime feature to be directed by a non-Japanese director, who is willing to stay true to the source material, which itself was such a departure to the general market of manga.

Taking place in the fictional city of Treasure Town, the story centres on a pair of orphaned street kids — the tough, canny Kuro Black and the childish, innocent White, together known as the Cats — as they deal with Yakuza attempting to take over Treasure Town.

If you look at the manga-ka's background, in which he visited France, where the comics by Moebius and Enki Bilal were a major influence on Matsumoto.

Considering that the character designs are sketchy at best as the anatomy can be loose, the not-so-polished presentation is not an issue and that comes down to the setting that the characters inhabit.

There may be Japanese ethnicity and iconography, but there is a diversity in the design of Treasure Town that feels like an extravagant toy-box where the two central boys dominate it as a violent playground.

With the diverse nature of Treasure Town, Matsumoto combines multiple genres from childlike wonder where the kids fly like superheroes, to a Yakuza crime narrative about competing for the control of the town.

Another character in the spotlight, is the Yakuza gang Kimura, who starts off as a minor antagonist, only for him to screw up in his criminal occupation and struggling to find purpose in a criminal underworld that changing as is the town in front of his eyes.

As dark and surreal as the story goes, especially in the later stages, Tekkonkinkreet has a positive outcome about how it feels to be a child, whether through excitement and even heartbreak.

Nov 06, Smith rated it it was amazing. I saw the parts of the movie but didn't know what was happening at the moment. I loved the style of the setting and decided to watch it later.

I picked up the book first, however, and the art tempted me to put it back down again. I was inclined to overcome it after reading a few random phrases from the manga that I liked.

I decided to give some of it my time. Turns out I gave it ALL my time. I ended up finishing it in 3 hours.

Surprisingly, I was admiring the art after finishing each page. Now I I saw the parts of the movie but didn't know what was happening at the moment.

Now I have great respect for Taiyo Matsumoto. There is countless symbolism in the manga, the core being Black and White, and then the city itself.

Their violent natures amused me - is that what a city can do? Because Black and White are the product of Treasure Town and no matter how vile the city is, the two orphans are keen on saving it from renovation.

I think of pirates. Stolen riches contained within a chest that is the source of greed and therefore a pursuit in order to unearth it.

It may not exist, or it might, but what's the cost of searching? WHat's the use in protecting it? I watched the movie after a couple of months and the impact it had on me was less so than the manga.

The movie's still good, just not Matsumoto-like. I mean there are some things that can't be equally expressed in colour and animation when it is originally created in Black and White.

Tekkonkinkreet is an example of this for me. I admire both works which capture the essence of violence in a poetic and admirable way. There are no discussion topics on this book yet.

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Tekkon Kinkreet
Tekkon Kinkreet (More pictures at dirtyoldlondon.com) Tekkon Kinkreet was originally published as a Japanese manga in The title is a pun on "Tekkin" and "Concrete", the Japanese term for reinforced concrete. Just four years before creating Tekkon Kinkreet, Taiyo Matsumoto had traveled to France for artistic research/5. TEKKON KINKREET is a dynamic tale of brotherhood that addresses the faults of present day society, true love lost, and the kindness of the human heart. © Taiyo Matsumoto/Shogakukan, Aniplex. Orphaned on the mean streets of Treasure Town, lost boys Black and White must mug, steal and fight to survive. Around them moves a world of corruption and loneliness, small-time crooks and neurotic police officers, and a band of sadistic yakuza who have plans for their once-fair city. Can they rise above their environment? Surreal manga influenced by European comics.
Tekkon Kinkreet
Tekkon Kinkreet Overall 6 Story 6 Animation 6 Sound 6 Character 6 Enjoyment Dragonball Super Broly German Sub. On this IMDbrief - presented by Acura - we explain how an online premiere resulted in a multi-million dollar payday and the Sundance must-see movies to add to your Watchlist. Six Foreigners Who've Worked in the Anime Industry. Der Manga handelt von Suits Staffel 6 Netflix Kampf einer Stadt gegen den Einfluss der Yakuza. Visual Guide Yura Yura FanArt auswählen AnimaniA Fanart FUNime Fanartbook Sekundärliteratur auswählen CLAMPs Wonder World Final Fantasy Memorial Ultimania Das offizielle Kompendium Berserk Sneaks Auswählen. Outside of that, the art and characters of Tekkon Kinkreet helps to Fehler 0xc00007b the story along.

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  1. Galmaran Antworten

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